16MM WARNER BROTHERS ANIMATED CLASSIC: "DAFFY DUCK AND THE DINOSAUR" {1939}

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This is a treasure--a used, but carefully kept 16mm film copy of a classic Warner Brothers animated short: "Daffy Duck and the Dinosaur" {1939},

The film was property of the "San Diego County Library," and  then SDSU, then, doomed to be jettisoned by the university, I saved it from the scrapheap.  I screened it once at a kids party in 2005 and it has sit in my climate-controlled office since that time.

Carefully packaged and shipped.  No returns, please. Note the additional shipping expenses for this item are included in the price.

You can pre-screen the animated short on youtube here:  http://youtu.be/3Kue7P_nyvw

$99.99 USD + FREE SHIPPING

Breaking News: Orange County Edition! SOMETHING MEXTASTIC YOUR WAY GOETH👀‼️👊🏽

 

Gratuitous cameo!

Hispanic Heritage Month Video, William Nericcio, #mextasy

During Covid I was asked to make a video of myself to share -- this is the result of that experiment …

 

Matt de la Peña and Christian Robinson's MILO IMAGINES THE WORLD is a wonder of artistry and Chicano/African American Collaboration and Invention

2024-2025 Mextasy: A Primer

~ Last updated October 13, 2024 ~

#Mextasy is back! 2024-25

Mextasy: Seductive Hallucinations of Latina/o Mannequins Prowling the American Unconscious is a traveling pop-up or gallery-based art show/exhibit based on the work of William "Memo" Nericcio and Guillermo Nericcio García. 

The traveling exhibition or "Circus of Desmadres" was originally curated by Leticia Gómez Franco for Casa Familiar, San Ysidro, California, and Rachel Freyman Brown, South Texas College, McAllen, Texas. Recents shows include exhibitions/performances at Boise State University,  UC Riverside (virtual via Zoom, thx Covid!)  Iowa State University and the Nepantla Cultural Arts Center, Seattle, Washington--other noteworthy gigs include performances at Northwestern University, Wabash College, California State University, San Bernardino, and Franklin & Marshall College.

Mextasy is re-imagined, interactive art and artifact exhibition that grew out of Nericcio's 2007 American Library Association award-winning book with UT Press, Tex[t]-Mex: Seductive Hallucinations of the Mexican in America. 

In addition to racist artifacts from American mass culture (the bread and butter of Uncle Sam's unconscious and the backstory for the resurgence in anti-Mexican, anti-Latina/o peoples presently), the show also features works that is "xicanosmotic," that is, works by Mexican-American artists where the delicious fusion of the Mexican/US borderlands/frontera is writ large as in the deliriously delicious artistic tracings of Raul Gonzalez III, Perry Vasquez, Rafaella Suarez, and Izel Vargas. Visitors to this page interested in having MEXTASY invade their local gallery/university of choice should contact us here.

Ronald Rael and William “Memo” Nericcio have a Conversation on the Border

A quick chat with Ronald Rael on the border and more (watch for the Izel Vargas cameo) in #craftdesert … a dreamy radzine by Kerianne Quick and Adam Manley

https://drive.google.com/file/d/1rPmQndxs3eQGwgBQkfa0FDEGVsnJatA-/view?usp=drivesdk

#borders #borderstudies #lafrontera #ronaldrael

A New Boriqua #Mextasy Homage! Aubrey Plaza in Vanity Fair!

via Vanity Fair

"She can summon some delicious anarchy for the camera. “I’m way more socially, like, anxious and introverted than people would expect, I think,” she tells me over coffee. “I’m just as insecure as anybody, and I’m probably way more shy than people think. But obviously the way I deal with that is, like, extreme behaviors.” Her guiding philosophy comes down to this, she adds: “I try to maintain some authenticity, for better or for worse. That’s the goal. If all else fails, at least be authentic.”

Plaza rarely reads her own press, but someone forwarded her an LA Times piece about her bit at the SAG Awards. The story, by Suzy Exposito, was entitled “In Praise of Jenna Ortega, Aubrey Plaza and Moody, Deadpan Latinas.” Plaza beams when I mention it. “I loved that,” she says. “That shit is important to me, because that’s my whole thing. Even with April Ludgate, it was like, Come on. Sofia Vergara is not the only Latina personality. There’s other ones! A lot of the characters I play, even with White Lotus—it’s important to normalize that there’s all kinds of different Latina people. I mean, all my Puerto Rican cousins are, like, morbid. Morbid shit is going on over there!”

As Plaza and I commiserate about all the ways that Latinas can and do exist, her multiplicity comes into focus: her bicultural upbringing, her public and private selves, her ability to play taut characters like Emily the criminal and Harper the lawyer, snarling perverts like Lenny on the underappreciated sci-fi drama Legion, and more. What Plaza has done, and will do again, is let all these impulses coalesce.

“She is a warm and snuggly person with people she trusts,” says Amy Poehler. “Kids love her because she doesn’t talk down to them and she isn’t afraid to be weird. She cares deeply and works really hard. She has a good sense of humor about herself. But don’t be fooled, she is a witch.”

 

On KPBS Tonight! Trino in San Diego on KPBS!